week 16 / 2025 Hunching over the desk, hanging out with the wise animals—WEEKNOTES rocks out with the cherubs for a change. This week, the social and the technical are inseparable, and ol' man Burroughs plays with scissors and celluloid.
week 15 / 2025 Paddling away from Calypso's island, claiming false identities in every encounter—the genre of WEEKNOTES is never merely a tale, but also its telling! This week, it all adds up in the end, and Emily Wilson sets sail on the wine-dark sea.
week 14 / 2025 Organic patterns emerge from deterministic rules, causal connections go unnoticed—WEEKNOTES start the simulation and sees what happens. This week, ecosystems get their freak on, and Solarists reach the edge of the rational.
nowhere to go but further in: a hypothesis of fandom intensity The differences in dynamic between the fandoms of primary- and secondary-world media can tell us a lot about the micropolitics of future imaginaries.
week 13 / 2025 Dusty with fragments of citation and punctuation, blinking in the sudden light—WEEKNOTES emerge briefly from the word-mines! This week, the nose goes the grindstone, and Toffler goes to China.
week 12 / 2025 Up and down the west coast with a head full of viral fog, over the bridge and back to a melancholy melody—WEEKNOTES keeps moving, even when they don't feel like it. This week, the fort is held, and Scandinavian history is scattershot.
the scenario doesn’t know it’s a scenario: an interview with Madeline Ashby Few folk are better equipped to understand the art of worldbuilding from both sides of the futures/fiction border than Madeline Ashby, who has a fully justified reputation for excellence in both aspects. Find out how she does it!
a requiem for "The Future" What is the object of the verb "to future"? What is its subject? And what are the implications of the answers to those two questions?